SolfagenixAI Masterclass

A complete music theory & choral writing course

Sixteen progressive lessons distilled from classic music theory texts and the working practice of Cameroonian choirs. Each lesson ends with a quiz and a one-click practice that opens in the Editor. Mark lessons complete to track your progress.

Foundations — pitch, rhythm and reading tonic solfa

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Sound becomes pitch

A musical sound has four properties: pitch, duration, loudness (dynamics) and timbre (tone colour). Pitch is fixed by frequency and is the foundation of melody.

The staff and the clefs

Five horizontal lines + four spaces form the staff. The treble clef (𝄞) wraps around the G line; the bass clef (𝄢) sits on the F line. Together they form the grand staff used in SATB choral writing.

Tonic solfa names

Each degree of the major scale has a syllable: doh, ray, me, fah, soh, lah, te, doh. Written as d r m f s l t d'. Upper octave uses an apostrophe (d'), lower octave a comma (d,).

  • d is always the tonic (home) of the key.
  • t pulls strongly to d — it is the leading tone.
  • f pulls down to m, giving cadential weight.

Practice

Sing d r m f s l t d' ascending and descending in C major. Then sing leaps: d–m, d–s, d–d'. Listen for the gravity of each note toward the tonic.

Quiz

1. Which solfa syllable is the tonic (home note)?

2. What does an apostrophe after a solfa note mean?